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process requiring learned skills to accomplish your creative vision, as well as the
experience to know which techniques to apply and when to use them. When
paddling a river, the fl ow of the water guides you, just as the images themselves
should guide you in the digital workfl ow process. As no book can outline the
best approach for all readers, use this integrated workfl ow as a guide to get you
started. Try new things, experiment with diff erent methods, and save multiple
versions of an image while you play and have fun. Remember the words of
Scott Adams who said, “Creativity is allowing yourself to make mistakes; art is
knowing which ones to keep”. And, of course, go with the fl ow!
Lightroom Unleashed: The Editing Accelerator
Whether you are new to the digital domain or have signifi cant experience,
the release of Photoshop CS4 and Lightroom has truly revolutionized the
digital workfl ow, making the process faster, more intuitive and user-friendly
than ever before! As a powerful accelerator for the editing process, Lightroom
has become an indispensable component of the integrated workfl ow and
proves its value in the streamlined interface it off ers to both the professional
and recreational user. The interface lays out the editing workfl ow structure
in an intuitive and logical manner, allowing you to process and edit images
in a non-destructive, straightforward manner with exceptional speed and
control. Photoshop plays a powerful role in the integrated system, especially
for detail and selective adjustment editing – Phase 4 of this workfl ow. I think
of Lightroom as a funnel for ingesting, sorting, applying initial edits and then
spring-boarding into Photoshop for more detailed edits.
History
The coupling of Camera Raw, and what was then known as the File Browser in
Photoshop 7.0.1, provided the fi rst hints of an abbreviated, subtractive workfl ow
for photographers. As the proliferation of digital cameras grew at an amazing
rate, more and more people were using a somewhat limited feature set in
Photoshop to satisfy their basic photographic needs. A tailor-made workfl ow tool
was just what professional photographers needed and, in 2006, Adobe made a
very unusual move and released Lightroom as a free, downloadable public beta.
Throughout the course of multiple beta updates, more features, functionality
and polish was added than anyone expected. By the time that Adobe
Photoshop Lightroom 1.0 hit the shelves, it had, indeed, become a
full-featured workfl ow tool for photographers.
A Stepped Approach through Lightroom
Respecting that Adobe updated Lightroom to a full version 2 with a myriad of
new features to better integrate with Photoshop and off er even more power for
the high volume workfl ow of the professional photographer, we want to take
you through an easy, stepped approach, highlighting notable features withinthe software interface. Although workfl ows do vary, our approach is easy to
follow and remember, as it steps through the tools and controls in the same
order that Lightroom presents them.
While you may notice that Camera Raw and Lightroom’s Develop module
share the same features (see Chapter 5, “Black and White in Adobe Camera
Raw 5.0”, page 156), there are many diff erences when it comes to how these
settings are presented, applied to the image, shared with other images,
retained and displayed. The feature parity that the two applications share is
particularly convenient when it comes to consistency across platforms as with
opening a previously adjusted Camera Raw fi le in Lightroom (or vice versa).Library: For import, export, organizing, fl agging, sorting, ranking, and key
wording of thousands of images. Useful for simple image processing or to
apply a custom preset to an entire batch of selected images at one time.
Develop: For the many facets of image adjustment, this is where you’ll fi nd
some of the most powerful features of Lightroom. It provides a non-destructive
raw converter with controls that work equally well on JPEG or TIFF images.
Slideshow: For professional quality PDF presentations. This module off ers
controls for nearly every variable for a visual presentation including the
incorporation of MP3 fi les.
Print: For easy, and yet very powerful, control of print output. Lightroom, true
to its nature, presents printing in familiar terms and a friendly interface, while
still delivering professional results.
Web: For the creation, customizability and even upload (Lightroom supports
direct FTP) of imagery to the web. Lightroom off ers a dizzying array of Flash
and HTML templates which can easily be custom tailored to the user’s specifi c
needs.
For the sake of this text, we address Lightroom in the modules most pertinent
to black and white processes: the Library Module, Develop Module and on
Printing from Lightroom.
The Library Module
The Library Module in Lightroom has been streamlined for easier organization
and workfl ow, providing a more intuitive image organization experience.
The left-hand panel of the interface will clearly defi ne the source location
of images after they have been imported and collections of images that the
photographer creates.A Smart Object is a non-destructive way of referencing a fi le’s original. This
means that once in Photoshop we can resize, rescale, apply fi lters, etc. and can
always revert back to our original. So imagine an image sent from Lightroom to
Photoshop is downsized for web use and sharpened, but then later you need to
send that same fi le out of Photoshop as a full res CMYK with diff erent sharpening.
This is no problem! Smart Objects embrace Lightroom’s live, re-editable
workfl ow.
© Bryan O’Neil Hughes
Merge to HDR in Photoshop
Bracketed shots can quickly and easily be sent to Photoshop where they’re
merged and converted to 32-bit HDR High Dynamic Range to extend the visible
information throughout the spectrum.
Open as Layers in Photoshop
Whether you want to do something really tricky like create a time-lapse video,
use CS4’s newfound ability to add depth of fi eld in auto-blend, or just composite
various images into one, Lightroom now works closely with Photoshop to allow
you to bring a series of images into one Photoshop fi le as Layers to be merged in
Lightroom – that way all the data looks as consistent as possible.




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